Welcome
Instrumentarium is an independent research platform dedicated to the study and documentation of musical instruments, with particular attention to traditional instruments of Latin America. The project approaches instruments as knowledge systems and documentary objects — not only sound artifacts, but as material entities that embody histories of making, ecological territories, cultural memory, identities, and epistemologies.
Drawing on perspectives from organology / (ethno)musicology, museology, library and information science, archival studies, and documentary theory, Instrumentarium examines how instruments are understood, built, played, classified, described, recorded, and preserved, and how those processes shape what is remembered about musical traditions.
The site publishes research notes, essays, articles, books, and experimental forms of documentation devoted to the study of musical instruments and sound heritage. The contents of the site can be explored through the navigation menus at the top of the page or through the sections listed in the sidebar.
Blog A Musician's Log | The most recent note
Musical caves
| Published April 24, 2025 |
It is said in an article written by one of the pioneers of prehistoric art studies: the Romanian Lya Dams, who ended up specializing in the rock art of the Spanish Levant.
The text in question, entitled "Palaeolithic lithophones: descriptions and comparisons" (published in the Oxford Journal of Archaeology, 4 (1), March 1985, pp. 31-46), points out that early humans may have come to use the stalactites, stalagmites and other limestone formations of the caves they inhabited as lithophones.
Blog A Musician's Log | The most recent sketch
Kamacheña: A one-handed Andean flute
| Published April 29, 2025 |
The kamacheña or camacheña (also called quena jujeña, flautilla or quenilla de Pascua) is a reed flute about 30-35 cm long, with the distal end closed and the proximal open. In the latter, a particular mouthpiece is carved, similar to that of an Andean quena (a simple notch) but equipped with two lateral wings or flaps. On the proximal it has three frontal fingering holes and a tuning one. It is performed in the department of Tarija (southern Bolivia) and in parts of the provinces of Jujuy and Salta (northwestern Argentina).
Articles
El erquencho y otros clarinetes idioglóticos
| Published April 11, 2025 |
Cuadernos de investigación musical, 17, enero-junio 2023, pp. 150-171.
[From the Spanish abstract] In his 1935 work on musical instruments among the indigenous peoples of South America, Karl Gustav Izikowitz noted the existence of a group of clarinets without fingering holes and idioglottal which he called "the Southern type." Curiously, he did not include in his list one of the few (if not the only) current survivors of that organological family: the erque or erquencho, an aerophone built and played in northwestern Argentina and southern Bolivia. Of relatively simple structure, it produces a hoarse, squeaky and gangly sound, in a limited range of notes, which does not prevent it from being very popular in its area of origin. Unfortunately, outside it is, even today, quite unknown. The article offers a review of the main characteristics of an almost lost family, and of a sound artifact almost invisible and scarcely performed outside its more traditional contexts.
All articles [in Spanish]
Books and other publications
Yanawan yuraqwan
Andean musical instruments in black and white
| Published April 11, 2025 |
Bogotá: Wayrachaki Editora, 2021.
Photo album with 15 black and white images accompanied by brief descriptions, introducing some of the most interesting traditional Andean musical instruments: quenas, pusi p'ias, sikus, toyos, rondadores, ocarinas, charangos, pingullos, pinkillos, waka pinkillos, waylla qhepas and wank'aras.